The Columbia Anthology of Japanese Essays [EPUB]

The Columbia Anthology of Japanese Essays [EPUB]
The Columbia Anthology of Japanese Essays: Zuihitsu from the Tenth to the Twenty-First Century edited by Steven D. Carter
2014 | EPUB | 1.12MB

A court lady of the Heian era, an early modern philologist, a Meiji-period novelist, and a physicist at Tokyo University. What do they have in common, besides being Japanese? They all wrote zuihitsu -- a uniquely Japanese literary genre encompassing features of the nonfiction or personal essay and miscellaneous musings. For sheer range of subject matter and breadth of perspective, the zuihitsu is unrivaled in the Japanese literary tradition, which may explain why few examples have been translated into English. Springing from a variety of social, artistic, political, and professional discourses, zuihitsu is an undeniably important literary form practiced by all types of people who reveal much about themselves, their identities, and the times in which they lived. Zuihitsu also contain a good deal of humor, which is often underrepresented in translations of "serious" Japanese writing.

This anthology presents a representative selection of more than one hundred zuihitsu from a range of historical periods written by close to fifty authors -- from well-known figures, such as Matsuo Basho, Natsume Soseki, and Koda Aya, to such writers as Tachibana Nankei and Dekune Tatsuro, whose names appear here for the first time in English.Writers speak on the experience of coming down with a cold, the aesthetics of tea, the physiology and psychology of laughter, the demands of old age, standards of morality, childrearing, the Great Kanto Earthquake of 1923, sleeplessness, undergoing surgery, and training a parrot to say "thank you." Varying in length from paragraphs to pages, these works also provide moving descriptions of snowy landscapes, foggy London, Ueno Park's famous cherry blossoms, and the appeal of rainy vistas, and relate the joys and troubles of everyone from desperate samurai to filial children and ailing cats.

The Birth of Korean Cool [EPUB]

The Birth of Korean Cool [EPUB]
The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture by Euny Hong
2014 | EPUB | 0.2MB

A FRESH, FUNNY, UP-CLOSE LOOK AT HOW SOUTH KOREA REMADE ITSELF AS THE WORLD’S POP CULTURE POWERHOUSE OF THE TWENTY-FIRST CENTURY

By now, everyone in the world knows the song “Gangnam Style” and Psy, an instantly recognizable star. But the song’s international popularity is no passing fad. “Gangnam Style” is only one tool in South Korea’s extraordinarily elaborate and effective strategy to become a major world superpower by first becoming the world’s number one pop culture exporter.

As a child, Euny Hong moved from America to the Gangnam neighbourhood in Seoul. She was a witness to the most accelerated part of South Korea’s economic development, during which time it leapfrogged from third-world military dictatorship to first-world liberal democracy on the cutting edge of global technology.

Euny Hong recounts how South Korea vaulted itself into the twenty-first century, becoming a global leader in business, technology, education, and pop culture. Featuring lively, in-depth reporting and numerous interviews with Koreans working in all areas of government and society, The Birth of Korean Cool reveals how a really uncool country became cool, and how a nation that once banned miniskirts, long hair on men, and rock ‘n’ roll could come to mass produce boy bands, soap operas, and the world’s most important smart phone.

The Mole People [EPUB]

The Mole People [EPUB]
The Mole People: Life in the Tunnels Beneath New York City by Jennifer Toth
1995 | EPUB | 16.76MB

Thousands of people live in the subway, railroad, and sewage tunnels that form the bowels of New York City and this book is about them, the so-called mole people. They live alone and in communities, in subway tunnels and below subway platforms and this fascinating study presents how and why people move underground, who they are, and what they have to say about their lives and the “topside” world they’ve left behind.

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