100 Artists' Manifestos: From the Futurists to the Stuckists [EPUB]

100 Artists' Manifestos: From the Futurists to the Stuckists [EPUB]
100 Artists' Manifestos: From the Futurists to the Stuckists edited by Alex Danchev
2011 | EPUB | 2.36MB

In this remarkable collection of 100 manifestos from the last 100 years, Alex Danchev presents the cacophony of voices of such diverse movements as Futurism, Dadaism, Surrealism, Feminism, Communism, Destructivism, Vorticism, Stridentism, Cannibalism and Stuckism, taking in along the way film, architecture, fashion, and cookery.

Artists' manifestos are nothing if not revolutionary. They are outlandish, outrageous, and frequently offensive. They combine wit, wisdom, and world-shaking demands. This collection gathers together an international array of artists of every stripe, including Kandinsky, Mayakovsky, Rodchenko, Le Corbusier, Picabia, Dalí, Oldenburg, Vertov, Baselitz, Kitaj, Murakami, Gilbert and George, together with their allies and collaborators - such figures as Marinetti, Apollinaire, Breton, Trotsky, Guy Debord and Rem Koolhaas.

Soul at the White Heat: Inspiration, Obsession, and the Writing Life [EPUB]

Soul at the White Heat: Inspiration, Obsession, and the Writing Life [EPUB]
Soul at the White Heat: Inspiration, Obsession, and the Writing Life by Joyce Carol Oates
2016 | EPUB | 0.69MB

A new collection of critical and personal essays on writing, obsession, and inspiration from National Book Award-winning and New York Times bestselling author Joyce Carol Oates.

"Why do we write?"

With this question, Joyce Carol Oates begins an imaginative exploration of the writing life, and all its attendant anxieties, joys, and futilities, in this collection of seminal essays and criticism. Leading her quest is a desire to understand the source of the writer’s inspiration—do subjects haunt those that might bring them back to life until the writer submits? Or does something "happen" to us, a sudden ignition of a burning flame? Can the appearance of a muse-like Other bring about a writer’s best work?

In Soul at the White Heat, Oates deploys her keenest critical faculties, conjuring contemporary and past voices whose work she deftly and creatively dissects for clues to these elusive questions. Virginia Woolf, John Updike, Emily Dickinson, Henry James, J. M. Coetzee, Margaret Atwood, Joan Didion, Zadie Smith, and many others appear as predecessors and peers—material through which Oates sifts in acting as literary detective, philosopher, and student. The book is at its most thrilling when watching the writer herself at work, and Oates provides rare insight into her own process, in candid, self-aware dispatches from the author’s own writing room. The New York Times Book Review has raved, "who better than Joyce Carol Oates . . . to explicate the craft of writing?" Longtime admirers of Joyce Carol Oates’s novels as well as her prose will discover much to be inspired by and obsess upon themselves in this inventive collection from an American master.

Copyrighting Creativity: Creative Values, Cultural Heritage Institutions and Systems of Intellectual Property [EPUB]

Copyrighting Creativity: Creative Values, Cultural Heritage Institutions and Systems of Intellectual Property [EPUB]
Copyrighting Creativity: Creative Values, Cultural Heritage Institutions and Systems of Intellectual Property edited by Helle Porsdam
2016 | EPUB | 2.58MB

What is the relationship between creativity, cultural heritage institutions and copyright? Who owns culture and cultural heritage? The digital age has expanded the horizon of creative possibilities for artists and cultural institutions - what is the impact on legal regimes that were constructed for an analogue world? What are the tensions between the safeguarding of cultural heritage and the dissemination of knowledge about culture? Inspired by a three year research project involving leading European universities, this book explores the relationship between copyright and intellectual property, creativity and innovation, and cultural heritage institutions. Its contributors are scholars from both the humanities and the social sciences - from cultural studies to law - as well as cultural practitioners and representatives from cultural heritage institutions. They all share an interest in the contribution of intellectual property to the role of cultural institutions in making culture accessible and encouraging new creativity.

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