We Begin in Gladness: How Poets Progress [EPUB]

We Begin in Gladness: How Poets Progress [EPUB]
We Begin in Gladness: How Poets Progress by Craig Morgan Teicher
2018 | EPUB | 2.09MB

One of our most perceptive critics on the ways that poets develop poems, a career, and a life

Though it seems, at first, like an art of speaking, poetry is an art of listening. The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment―that’s all part of the compelling story of a poet’s way forward.
―from the Introduction

“The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged―by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out―or even scale the peak of the mountain.

Words That Go Ping: The Ridiculously Wonderful World of Onomatopoeia [EPUB]

Words That Go Ping: The Ridiculously Wonderful World of Onomatopoeia [EPUB]
Words That Go Ping: The Ridiculously Wonderful World of Onomatopoeia by Barbara Lasserre
2018 | EPUB | 1.09MB

If it goes 'moo' then every child knows it's a cow. If it goes 'Wham! Bam! Crash!' we're in a fast-paced comic. But what goes 'krknout'?

Barbara Lasserre takes us on a playful journey through the delightful world of words that mimic sounds. Normally relegated to children's books, cartoons and comedians, she shows how these often ancient words reveal unexpected things about the way we think, speak and act.

A book for anyone who loves playing with words.

Rock Critic Law: 101 Unbreakable Rules for Writing Badly About Music [EPUB]

Rock Critic Law: 101 Unbreakable Rules for Writing Badly About Music [EPUB]
Rock Critic Law: 101 Unbreakable Rules for Writing Badly About Music by Michael Azerrad
2018 | EPUB | 50.38MB

Straight out of his beloved Twitter feed @RockCriticLaw, acclaimed rock journalist and author of the classic books Come As You Are: The Story of Nirvana and Our Band Could Be Your Life, Michael Azerrad turns his trenchant eye to the art of rock writing itself, hilariously skewering 101 of the genre’s seemingly endless litany of hackneyed phrases and tropes.

One of the finest music writers today, Michael Azerrad has catalogued the shortcuts, lazy metaphors and uninspired prose that so many of his beloved colleagues all too regularly rely on to fill column inches. In 2014, he began his wickedly droll Twitter feed @RockCriticLaw to expose and make fun of this word-hash. Now, he consolidates these "Laws" into one witty, comprehensive and fully illustrated volume.

Rock Critic Law includes timeless gems such as:

  • If a band pioneered something, you must say they are "seminal." That is the Seminal Law of Rock Criticism.
  • If a recording features densely layered guitars, then you MUST use the phrase "sonic cathedrals."
  • Even when it’s easy to find out with research, by all means ask a band how they got their name.
  • Please feel free to deny an artist’s individuality and say they are "the new [x]."
  • If two guitars play a melodic line in harmony, you MUST say they are "twin lead guitars."

All 101 Rock Critic Laws are accompanied by original illustrations from Ed Fotheringham, beloved Seattle scenester and highly regarded artist who has created album covers for everyone from, well, seminal grunge band Mudhoney to iconic jazz label Verve Records, as well as illustrations for The Atlantic, Vanity Fair, The New Yorker and more, making this book a must-have for music lovers everywhere. A unique appreciation of music writing from one of its own, Rock Critic Law irreverently captures all the passion and furor of fandom.

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